Cura ted walkabouts:
Morning: 11:00 - 12:30
Afternoon: 14:30 - 16:00
Entrance R450 (infants – under 2years - free)< /p>
Due to COVID\, the venue is strictly limited to 500 people (incl chi ldren). We are unfortunately unable to accommodate a reduced children’s ticket price.
Lunch at ‘And then there was fire…’ ( separate booking essential – andthentherewasfire.com) or take your pick from gourmet food-stalls in the Water Pavilion
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Lounge Bar in the Lawn Pavilion
Performances & Appearances by
Buhlebezwe Siwani (SA) & Lhola Amira (SA)
Venue: The poplar bowl & forest.
There is a connective tissue that runs through our collective veins\, it seeps through the porous
dimensions of hum an existence. It indwells in our bones and aims to find an expression tha t binds
rather than separates. In times of such uncertainty we are forced to shift\, introspect and challenge
the deviated hierarchical structures\, through a lens of connectivity and wholeness.
Margins of Error brings together a multi-faceted exhi bition where borders\, edges and self reflexivity
is the common thr ead of inquisition throughout this multi media exhibition comprising sculp ture\,
performance\, painting\, digital art and horticulture asks us to rethink the devastating consequences
of exclusionary policies an d practice.’
The Real DMZ Project - a contemporary art project based on research conducted on the DMZ
(D emilitarized Zone) in South Korea arrives\, for the first time in Africa\, alongside That Hidden Thread
- a conceptual bridge across the Afr ican continent.
“It brings together artists from South Korea\, Mor occo and South Africa\, in a joint attempt to
confound the bitternes s latent in a reactionary desire to destroy compassion\, arrest human
< p>movement\, and defy growth. A margin of error is designed to absorb a s hortfall or contradiction inthe event of a miscalculation or change in circumstance. Conceptually and practically flexible\, it
suppose s the great likelihood that mistakes occur. As a principle\, a margin of e rror is democratic\,
despite the cynicism that is also fixed to it. However\, what a margin of error constitutively
acknowledges is that life – politics\, economics\, art – is variable. There are no absolut e guarantees\,
there is only infinite possibility\, whether good or ill\, which can as easily transform hell into heaven\,
heaven into h ell.” Ashraf Jamal.
Hye Ryeong CHO (KOR)\, Daejin C HOI (KOR)\, Soyoung CHUNG (KOR)\, Jessica DOUCHA (SA)\, Amine El
GOTAIBI (MAR)\, Kyungah HAM (KOR)\, Michele MATHISON (SA/ZW E)\, Marco MIEHLING (GER)\, Sethembile MSEZANE (SA)\, Chan-Kyong PARK (KO R) Mary SIBANDE (SA)\, Buhlebezwe SIWANI (SA)\,
Chr is SOAL (SA)\, Sookyung YEE (KOR)\, Kyung Jin ZOH (KOR)\, Adrián VILLAR ROJAS (ARG)
LOCATION:24 Kromdraai Rd\, Kromdraai\, Krugersdorp\, Gauteng\, 1739 SUMMARY:NIROX Winter Sculpture Exhibition 2021 URL;VALUE=URI:https://nirox.howler.co.za/marginsoferror END:VEVENT END:VCALENDAR